Popular Culture Review Vol. 17, No. 2, Summer 2006 | Page 12

8 Popular Culture Review and the repression of sexual expression has naturally created a desire for it which will never be satisfied; as a direct result, the signs of sex have become advertising strategies in a more or less obvious way. It is a known fact that any beer advertisement must suggest the notion of young female company and exciting nightlife encounters with promising developments in sight. It is less often observed that any commercial for watches will always present the hands in the 10:10 position, hence suggesting a “V," semiotically an idealized representation of the female genitalia. One particular advertisement for a salad dressing from a few years ago showed a female hand with red-painted nails shaking a bottle of salad dressing over a deep dish filled with tomatoes and lettuce, the camera focused only on the hand and the neck of the bottle, and the young lady shook the bottle in a regular motion, spreading little streams of dressing on the salad in a very suggestive fashion. The phallic symbol, as well as its stimulation leading to a happy conclusion, is as apparent in any soft drink commercial, where the can or bottle, generally shown in an inclined position, floods the screen with white foam, constituting a clear, barely metaphorical, ejaculation. When it comes to more official narrations, such as films or documentaries, the exploitation of the sexual theme has become more apparent throughout the nineties, spawning a variety of works which have in common a more or less direct representation of explicit sex. The now common, if not vulgar, expression of "‘the money shof’ is best illustrated by the 1992 highly successful film, Basic