Popular Culture Review Vol. 15, No. 2 | Page 71

The Search for Male Identity within Modern Society 67 Once a set of linguistic devices has been established to which all group members can relate, a fantasy theme is created through symbolic convergence of consistent ideologies. “Fantasy,"" explains Sonja Foss in describing Bormann’s method, “is not used in the popular sense-something imaginary and not grounded in reality. Instead fantasy is ‘the creative and imaginative interpretation of events’” (123, emphasis in original). The fantasies that groups develop are based upon events of either the past or the future. Groups look to either the historical events that led to creation of the group or to the future goals toward which the group strives. Additionally, these events do not necessarily even need to be feasible in their implementation to the members, because the events are secondary to the participation that the fantasy creates. The final facet of fantasy-theme analysis comes in the form of a rhetorical vision that develops based upon a collection of the group’s fantasies. Although these initial fantasies are generally meant for the small group itself, the rhetorical vision can be extended to a larger audience by connecting to mainstream societal problems or issues. Bormann writes, “If the group’s fantasy themes contain motives to ‘go public’ and gain converts to their position they often begin artistically to create messages for the mass media for public speeches and so forth” (“Fantasy and Rhetorical Vision” 399). The group essentially attempts to transform from a small group into a larger social movement. These visions isolate emotions and messages that drive those involved within the movement to action, not necessarily based on what is said, but on the message’s interpretation. Bormann argues that “motives are in the messages. The rhetorical vision of a group of people contains their drives to action. People who generate, legitimate and participate in a public fantasy are .. . ‘powerfully impaled to action’ by that process” (Bormann, “Fantasy and Rhetorical Vision” 406). This vision then allows the group members to explain the world’s problems and to find solutions based upon the precepts established within their fantasies, ultimately bringing even more participants into their rhetorical vision. God’s Unwanted Children: Critical Analysis Applying Bormann’s method to Fight Club reveals a series of fantasy types and rhetorical visions. First, the fantasy types and symbolic convergence take the form of promises that have been broken to Fight Club members; specifically, the promise of a loving family, the promise of success within the “Great America Dream,” and the promise of societal acceptance if one works hard despite adversity. Second, as the members of Fight Club and Project Mayhem realize these promises have been broken, they begin to search for someone or something that can keep those promises. The members’ involvement in a collective organization provides one means of fulfilling society’s promise.