Popular Culture Review Vol. 14, No. 1, February 2003 | Page 133

Contributors David M. Dean is a Professor of History at Frostburg State University in Mary land. Author of Defender o f the Race: James Theodore Holly, Black Nationalist and Bishop and Breaking Trail: Hudson Stuck o f Texas and Alaska, he has been a Fulbright Professor in Lesotho and South Africa. He still bikes, pedaling 2500 miles from Seattle to Illinois in summer, 2002. Jeffrey S. Hartnett teaches architecture at UNLV (University of Nevada, Las Vegas), after two years of doing the same in China. His twin research interests are contemporary Chinese architecture and its relationship with tradition, tourism, and globalization, and foundation-level architectural design studio pedagogy. His un dergraduate study was at the University of Virginia and his graduate study was both at Harvard University’s G.S.D. and the University of Texas at Austin. For comments and feedback, please contact him at [email protected]. Cyndy Hendershot is associate professor of English at Arkansas State University. She is the author of The Animal Within: Masculinity and the Gothic (University of Michigan, 1998), Paranoia, the Bomb, and 1950s Science Fiction Films (Popular Press, 1999), and I Was a Cold War Monster (Popular Press, 2001). Her latest book, Anti-Communism and Popular Culture at Mid-Century will be published by McFarland in 2003. Gary Hoppenstand is a professor teaching in the Department of American Thought and Language at Michigan State University. His critical edition of Rafael Sabatini’s Captain Blood was recently published by Penguin Classics. He is the former Presi dent of the Popular Culture Association, and the new editor of The Journal o f Popular Culture. James laccino is a Professor of Psychology at Benedictine University in Lisle, Illinois. He has had two archetypal analysis books published by Praeger Press, most recently More Jungian Reflections within the Cinema: A Psychological Analy sis o f Sci-Fi and Fantasy Archetypes (1998). He has also written a horror film screenplay on modern-day vampires, entitled The Vidbond Connection. Kelley Kelleway received her Ph.D. from UC Riverside in June 2002. Her inter ests include: nineteenth and twentieth-century British literature; science, technol ogy, and culture; and literary theory. Her current research interests involve women’s subversive use of scientific discourse in the nineteenth century.