Popular Culture Review Vol. 13, No. 2, Summer 2002 | Page 33

African American Community Radio 29 KKDA-AM and KKDA-FM are rare examples of local broadcasting in the post-Telecommunications Act of 1996 era of radio broadcasting. They are privately owned by Dallas businessman Hyman Childs, unlike most large-market stations, which are owned by far-flung corporations. Childs is “as legendary for his business acumen as his reclusiveness” (Brumley, August 25, 1999). He declined to be interviewed for this article. But Service Broadcasting Chief Operating Officer Ken Dowe said local ownership allows KKDA-AM and KKDA-FM to react quickly to local events and better serve the listeners. “Local, local, local — that’s what people care about,” Dowe said (Brumley, May 28, 2000). Launching the Learning Process: Getting Attention As early as 1963, Bandura, along with two other researchers demonstrated that children could learn aggressive behaviors demonstrated by a model (whether live or televised); however, professor Alexis Tan cautions that these findings should be sparingly generalized. He notes three specific factors, including the children’s state of frustration immediately before the modeled act, and the opportunity provided them immediately after the modeled action to imitate what they saw (p. 254). Even from this early experiment, however, the modeled behavior and the contexts in which such behavior is “observed” become key factors in generating audience response. Thus, the first stage of Bandura’s model, the attentional stage, involves a critical relationship between the mediated behavior and the audience, whereby the “model” gains attention in a way that coincides with the audience’s readiness to yield such attention. And while radio is obviously not a visual medium, a skillful host can captivate receptive audiences with the right mix of sounds and conversation. And, after 25 years in the business, KKDA’s Willis Johnson is masterful at convening his listeners’ attention. KKDA-AM often plays short sound bites of Martin Luther King and other historical African-American figures. “Free at last, free at last, thank God almighty, we’re free at last!” is dropped in between commercials. Johnson gives credit to program director Chuck Smith for the King drop-ins: “It sets the station apart” (W. Johnson, personal communication, Oct. 22, 1999). Often, Johnson’s program has provided an outlet for leaders of Dallas’s African-American community to convey their ideas. In 1997, Kirk went on Johnson’s program to explain his criticism of John Wiley Price, the former KKDA-AM talk-show host, for leading raucous demonstrations at Dallas school board meetings. Price, in turn, had organized protest demonstrations outside Kirk’s home (Lee, April 24, 1997).