“ just out of reach . It becomes ideological , a goal to strive towards , but not ultimately attainable ” ( MacKinnon 7 ). A reoccurring theme in contemporary Golden Age series is that masculinity is fundamentally anxious , as the protagonists must constantly display or prove their masculinity to their peers . However , the majority of these series focus on white protagonists , thus conforming to historical trends regarding racial representation . In contrast , The Wire ’ s protagonists demonstrate various racial identities and backgrounds , and the series is noted for giving “ dignity and a voice to even the most abject of its represented urban individuals ” ( Shapiro 212 ). Consequently , multidimensional masculinity theory is the most applicable framework through which to conduct this research . Multidimensional masculinity theory advocates that all masculinity , either traditional or alternative , is influenced by race ( Cooper and McGinley 329 ). This theory is influenced by intersectionality theory , developed by scholar Kimberlé Williams Crenshaw . According to intersectionality theory , when multiple categories of identity overlap , such as race and sex , they produce unique and subjective experiences ( Crenshaw 145 ). Omar demonstrates an intersectional identity in The Wire through his identification as a gay man , which influences his treatment amongst Baltimore ’ s African American community . Taking into account Omar ’ s homosexual orientation , this project also correspondingly incorporates queer theory into its framework .
Analysis Jimmy McNulty . In The Sopranos and other eminent series of the current Golden Age , hegemonic masculinity is most commonly expressed through aggression , physicality , callous sexual attitudes and other macho characteristics . However , while Tony Soprano and most other contemporary Golden Age protagonists are generally criminals or outlaws , McNulty instead occupies a position of law enforcement , which produces a far more distinct masculine identity . In particular , “ white heterosexual middle- and upper-class men who occupy order-giving positions … produce a hegemonic masculinity that is glorified throughout the culture ” ( Cooper 104 ). McNulty ’ s macho masculine identity is characterized by three particular traits : sexual conquest , alcohol abuse , and resistance to authority .
Over the course of the series , McNulty , a divorcee , engages in numerous affairs and one-night stands , even with the prosecutor to whom he is assigned , Rhonda Pearlman . Notably , “ callused attitude [ s ] toward women or sex ” ( Scharrer 620 ) are a recognized characteristic of macho masculinity . McNulty ’ s sexual proclivities are well known amongst his peers in the Baltimore police ; in the second season episode “ Stray Rounds ”
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