Poppycock October/Novemeber 2014 | Page 27

I’ve worked at lots of different places over the years. In every place I learned something new. I would usually last about two or three years and move on for one reason or another; sometimes, I just got bored. One place that I was at for five years, I left because I wanted to learn to make gold jewelry instead of the silver. So, I moved on to a place called The Gold Works. I was probably 19 or 20 at the time. Q: So what brought you to Portland? I was tired of Albuquerque. I had 2 young sons,1 and 3 years old, and I was raising them myself. I had family in Salem, my mother, so I decided to just come up here and check it out. She was going to help me out a little bit. I got an apartment there and I started commuting to Portland to get to work. In 1985, I moved to Portland. Joseph on the process: Q: Could you explain the general process of the way you make your jewelry? Most things are going to start out as wax, which is sculpted. After that is done, you start the next phase, investing, where you basically encase the wax in plaster. The wax melts out, which leaves you with this cavity. Then you begin to cast it, which Left: Sterling & Bronze Salvage Ring designed by Joseph Cordova in 2012. right: A Sterling and 14 kt Gold Emerald Ring designed by Joseph Cordova, 2012 below: Joseph, cleans up a recently cast ring. He is progressively buffing, sanding, and shining the ring surface with power and manual tools. The business of making this ring shine is obviously a dirty one. 27