Polo and More, Barbados 2014 Issue 8 | Page 92

Polo & More 2014 Polo & More 2014 By Karen Kranenburg Photographs by Jake Thomas T hese days, it is rare that I meet people that surprise me, so when I do it gives me pause. It would not be inappropriate for me to describe Lady Natasha Rufus Isaacs as a woman of substance, at 30 years old her sound principals and tenacity belie her youth. She may be a part of the royal couple’s privileged inner circle, but when you meet Lady Natasha RufusIsaacs, she is the antithesis to what you imagine a member of the privileged, hard partying “glosse posse” (as they are so frequently called in reference to their Gloucester roots) would be. “Natasha is not only very different from some of her more frivolous friends, she is also determined to make a difference.” The daughter of the Marquess of Reading, she is self-effacing and charming, not to mention stunning, with piercing big blue eyes that just draw you in, and make you want to know more…. There is a saying that life is not about the destination, but the journey, and hers started in a very different place from where she is now. Lady Natasha, who prefers to be known as just plain Nats studied History of Art at Oxford Brookes University, after which she followed the very traditional route and went to work at Sotheby’s for 2 years. A committed Christian, she eventually left her job at Sotheby’s, to seek something with a little more purpose, and went to work for a church charity in their social transformation section. In 2009, she and her friend Lavinia Brennan (now her business partner) spent several months working In an after-care home in the slums of Delhi. They were so moved by the plight of the people they met, particularly the young women, whose lives had been so brutally impacted by human trafficking and the sex trade, they felt compelled to raise awareness of this important, but sometimes ignored issue. Upon their return to the UK, even though neither had any formal training in fashion, they hit on the idea of launching an ethical fashion label, which they called Beulah, which would provide these women with an alternative sustainable livelihood. Quite aptly their logo is the butterfly “for each beautiful garment that we make, there is an equally beautiful change happening somewhere else in the world – we like to think of it as our ‘butterfly effect’. A small change at one place in a complex system having a large effect elsewhere.” Where you see the Beulah ‘butterfly’ logo, you know that the product has V