The interior designer on the project,
Craig Tevolitz of Platemark Design,
agrees saying, “The period feel of the
architecture helped anchor the antique
light fixtures, in particular the antique
chandelier in the living room, which
is quite dramatic.”
Craig and team member Elizabeth
McCann chose Benjamin Moore’s
“Lancaster Whitewash” so the vibrant
color palette is apparent, as well as
to keep the area “open, airy, and
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cohesive.” Craig says the color palette
is “what you witness outdoors—the
water, foliage, and the colors at sunrise
and sunset, when the sky is awash with
pink, purple, red, and orange hues.”
Situated on the shore, the home is
flooded with sunlight. Elizabeth says,
“The window treatments help mitigate
the strong light, and were significant in
the overall interior design, especially
in the bedrooms which can be rendered
into complete darkness when needed.”