our art: PAMELA STEEGE
Motion, Power,
Beauty & Detail
Fine art photographer Pamela Steege’s
creative journey through the Magic of Light
and the Mystery of Shadow
T
MAY 2016
PA R K E R C O U N T Y T O D AY
he word “art” often brings to mind
painting, and the word “artist” one of
those paint-daubed creatives who stands
before easel with palette, brushing their
unique vision of things onto canvas or
paper. Of course painting, sculpting,
etc., are but a few of the many mediums
in art. Regardless of medium, most artists consider art to be both imaginative
and emotional, for themselves and the
viewers, they hope to affect through the
work.
Santa Barbara, Calif. native Pamela Steege has been a serious photographer the last eight years and considers fine art photography every bit as
valid an art form as painting.
“The challenge is to educate people on the value of photography as
a fine art,” she said. “I feel as much quality [in a museum-quality photograph] as other artists [do in their work]. Sometimes artists [painters, etc.]
may think, ‘Oh, you just pick up a camera and photograph that.’ There’s
a large difference between a snapshot and a fine photographic piece.”
Basic principles or elements apply.
“It’s the art of creative seeing, instilling composition, a story, color,
light and shadow — really, all the basics that an artist would use,” she
said. To give a better idea of her individual concept of art, Steege read
the following as some of the elements that go into producing an outstanding photograph:
“Impact — the sense one gets from viewing an image for the first
time. Does it have an impact? Creativity — Is it fresh? Is it your own
style? Creating your own style, I feel takes years. The expression of your
imagination. You’re using a medium to convey an idea, a message or a
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BY MEL W RHODES