Overture Magazine - 2014-2015 November-December 2014 | Page 25

But steeped though he was in Judaism, Bernstein fought a love-hate battle with his heritage all his life. R TR D N E ANSC E B T N U EA TY RT I S A TR UE Q I UN Y NO E RTO I R P VA T I V E R E E IN has ever had. Two and a half months earlier — November 14, 1943 — he had made an electrifying debut with the New York Philharmonic, substituting at the last moment for the indisposed Bruno Walter on a Sunday afternoon concert broadcast on nationwide radio. Suddenly, he was the hottest conductor around. And “Jeremiah” immediately served notice that he was a symphonic composer of real promise. Given a New York premiere by the Philharmonic on March 29, it was rapturously received by critics and audiences and won the New York Music Critics Circle Award for best new orchestral work of 1943 –1944. To complete his conquest of American music, Bernstein premiered his brilliant ballet Fancy Free in April at the Metropolitan Opera House and in December unveiled the Broadway musical On the Town (based on the ballet’s scenario), which ran for 463 performances. TIMB H RE IC Under the baton of Artistic Director Robert Shafer, The City Choir of Washington is A SOUND LIKE NO OTHER. THE HOLLY AND THE IVY music for christmas Sunday, December 14, 2014 | 4:30 pm National Presbyterian Church, Washington, D.C. The City Choir of Washington | The City Choir Brass Ensemble • Mozart CORONATION MASS Arvo Pärt TE DEUM But in the summer of 1939 when he began work on what became “Jeremiah’s” third movement and in late 1942 when he returned to this piece and transformed it hastily into a threemovement symphony as an entry in a competition, he was still leading a handto-mouth existence. Hanging out in various NYC apartments, he pressed his friends into service copying pages as he completed the work’s masterly scoring in just ten days. Bernstein described all three of his symphonies as expressions of an ongoing musical search for faith. His father, Sam Bernstein (to whom he dedicated “Jeremiah”), was a Talmudic scholar, and his grandfather and great-grandfather had been Hasidic rabbis in Russia. But steeped though he was in Judaism, Bernstein fought a love-hate battle with his heritage all his life. Sunday, March 15, 2015 | 4:30 pm National Presbyterian Church, Washington, D.C. The City Choir of Washington | The City Choir Chamber Orchestra • A FRENCH CHORAL SPECTACULAR II Sunday, May 10, 2015 | 4:30 pm Saint Luke Catholic Church, McLean, Virginia The City Choir of Washington Robert Shafer, conductor | Paul Skevington, organist Robert Shafer, Artistic Director O r d e r Yo u r Ti c k e ts To day ! www.citychoir.org • 202-495-1613 • [email protected] November–DEcember 2014 | O v ertur e 23