Overture Magazine - 2014-2015 November-December 2014 | Page 13

Fun Facts from the 2014 Academy Week 1 There were 113 participants from all over the U.S. 2 They ranged in age from mid-20s to late 80s. 3  There were 247 separate events during the eight days.   4  BSO musicians were involved not only in the side-by-side rehearsals and final performance, but also served as faculty throughout the week. Ch r is tian Am o nso n (left) Loren Kayfetz Kristin Gomez “On a logistical level, I think this will make me a better conductor,” she says, “and on an artistic level, I think the workshop will improve my ability to get artistry out of my kids.” Since the program, Gomez has auditioned for a local orchestra, but the Academy did more than inspire her personal playing. “This really opened my eyes to where kids can go,” she says of her students. “Some kids maybe will just appreciate music for the rest of their lives, but I need to make sure every child is set up to meet the possibility of being in the BSO.” If the Academy week sounds intense, it is. Yet attendees come from all levels and backgrounds. Loren Kayfetz, an investment advisor in Pleasant Hill, CA, has played the flute and piccolo since he was 11. He attended Interlochen Center for the Arts in Michigan and, though he decided against a career as a professional musician, he’s enjoyed playing in amateur and semipro groups for more than 45 years. For two years, he’s participated in the Academy programs, and this July participated in the inaugural BSO Summer Side-by-Side program, an adjunct to the Academy. Kayfetz was struck by the diversity of the musicians, explaining that it is not what you bring to the Academy that matters so much as what you take away. “I think anyone who can pick up and make notes on their instrument should consider it,” he states. “There’s no reason why everyone can’t get something out of the experience, whether it is the opportunity to play music along with other people or, more than anything else, the inspiration to go home and take their love of musicianship to the next level.” Registration for the 2015 BSO Academy opens in November! 5  The Academy campus included the Symphony Hall, Baltimore School for the Arts and the Engineer’s Club. Kayfetz expects to return for the full Academy program in 2015 and has reinvigorated his own education by connecting with a private teacher. “It was instructional if not inspiring for me to realize I could pick up some of the fundamentals that had fallen away over the years for one reason or another,” he says. The tips, techniques, advice, and lessons open to Academy participants are invaluable. Swain, the Baltimore-based trombonist, has seen his range increase as a direct result of the Academy. He, too, will be back again next year, but not only for the instruction. “The reason I keep coming back is at the end, when you finish playing, for a split second, you get to see raw emotion,” he says. “You get to see happiness, sadness, joy, awe.” “I’m addicted to that split-second silence before the applause. It’s the best feeling in the world.” For more info please visit www.bsomusic.org. ★ ★ ★★ ★ ★★ ★