Overture Magazine - 2014-2015 May-June 2015 | Page 13

Left: M o li na Visual s ; R i ght: Hans van d er Wo er d. I For many in the audience and on the stage, Stenz turned an old chestnut into a revelation ndeed, says BSO President and CEO Paul Meecham, during that visit, Stenz seemed to establish chemistry with the Baltimore musicians, who applauded enthusiastically after the piece. Stenz, a native of the Rhineland, didn’t deliver “a big-boned, typically German ‘Eroica,’” Meecham remembers. Instead, his rendition was “imaginative, while definitely influenced by the historically informed performance movement”—also known as the Early Music movement, which calls for smaller ensembles, brisker tempos and less This May, Stenz helps to wind down vibrato. For many in the audience and on the stage, Stenz turned the current season with Strauss’ Four Last an old chestnut into a revelation. Songs, written just before the composer’s The maestro’s ability to make every performance feel like death. The piece, based on three poems a premiere, says Meecham, is one reason Marin Alsop and the by Hermann Hesse and one by Joseph BSO have invited Maestro Stenz to become its principal guest von Eichendorff, “displays the essence of conductor beginning with the 2015 –2016 season. “He’s got a Strauss’s abilities,” says the conductor. The very fresh approach to things,” Meecham says. “His interpretaprogram also includes Schumann’s Second Symphony, which tion of the classics is as if you are hearing them for the first time. Stenz describes as “legendary” with its frenetic energy and pacing You sit up in your seat.” in the second movement, and refinement of the third movement The appointment means that Stenz will be in Baltimore for to exhibit, says Stenz, “the profundity you can only find in the a total of three weeks each season, divided in the coming season greatest composers.” into two visits. He’ll be here for a week in October to conduct an After Tanglewood, Markus Stenz served as the artistic direcall-Mozart program, and return in March 2016, for two weeks— tor of the Montepulciano Festival b