Overture Magazine - 2014-2015 May-June 2015 | Page 11

Yo-Yo Ma André Watts Joshua Bell “The element of surprise is something I hope people enjoy” — Matt Spivey Kwame Kwei-Armah Theatre and Edward Berkeley (who brought the 2014 production of A Midsummer Night’s Dream to life). She’s also looking forward to Porgy and Bess in April, which will partner the BSO with Center Stage Artistic Director Kwame Kwei-Armah. “The concert version of Gershwin’s music offers humor, romance, and tragedy in timeless songs,” says Alsop. “We will also explore racial issues surrounding this piece.” Alsop notes that other highlights from the season will be the performance of Verdi’s Requiem and a concert juxtaposing Vivaldi with the contemporary composer Philip Glass. “This season we continue our popular Off the Cuff series,” Alsop says, “another hallmark initiative of the BSO to reach out to audiences in new ways and share our passion for and knowledge of the music.” The coming season will feature conversational performances of Rachmaninoff and Elgar’s Enigma Variations. For his part, Spivey is looking forward to the return of the worldfamous Yo-Yo Ma, the BSO’s performance of Bach’s Mass in B Minor under the baton of baroque expert Nicholas McGegan, and, of course, the one-night celebration of the BSO’s birth date on February 11. “Marin is planning something quite special,” he says. The evening will include a performance by violinist Joshua Bell. “I think that concert will convey the significance of 100 years and it will be fun, full of surprises, and a musical party.” The BSO is extending the celebratory vibe to the reaches of the symphony hall, with special exhibits in the hall itself and a forthcoming book on the history of the orchestra that will be available for sale in the Fall. Concertgoers will even get an anniversary gift: as part of its ongoing efforts to improve the concert-going experience, the box office has opted to remove all handling fees from ticket purchases. During the centennial year, the BSO intends to press its commitment to outreach with young musical ambassadors across Maryland spreading the BSO mission, with its OrchKids and Youth Orchestras programs. “Through our educational outreach, we hope to change the demographics of our orchestra makeup over the next few decades,” says Alsop. Whether you look forward to John Waters’ reprise of Hairspray, A Gospel Christmas with the Morgan State University Choir, or a night of all Beethoven featuring three of the master’s works led by new BSO Principal Guest Conductor Markus Stenz, the 100th season at the BSO promises to honor the organization’s history while looking to a very bright future. Nicholas McGegan Kevin Puts John Waters DHMH RSA # R24924 Edward Berkeley WWW.ELIZABETHCOONEYAGENCY.COM TRUST, INTEGRITY & EXCELLENCE SINCE 1957 Nadja Salerno Sonnenberg May– June 2015 | O v ertur e 9