Overture Magazine 2013-2014 September-October 2013 | Page 11

a number of people we’d never reach with our classical careers. That’s terribly important. I see audience [members] at my concerts who will tell me, ‘We know you through Pride & Prejudice and we love that album. We saw you were playing in town and this is our first classical concert.’ That’s fantastic if you can bring, through the movies, new people to classical music concerts. And most of them are young people, which is what we are looking for because we need to attract younger audiences. Do you have a favorite composer? Thibaudet: Right now I’m attracted to the Romantic period, which was the richest and most successful period for piano literature. That embraces Chopin, Liszt, Brahms, Schumann and all the way to Rachmaninoff. And, of course, Ravel. I also love to commission composers to write pieces for me, which I think is very important. I try every two or three years to have a new concerto written for me that I premiere. We’ve actually done quite a bit of that with Marin [Alsop] because she’s also a pioneer of new music. Who have been some of your mentors? Thibaudet: If I could name only one, I would say Arthur Rubenstein. I was very lucky to meet him twice when I was a child. The second time, I spent 15 minutes in his dressing room sitting on his lap. I was seven and it stayed with me my whole life. He was such an inspiration because he had that incredible joy of life, which I think is the most wonderful quality a human being can have. Of course, music and piano were his life, but he enjoyed having a good meal, good wine, a good cigar, and he had so many wives and mistresses. He really enjoyed life, and you could feel that in his music as well. Did he give you any advice? Thibaudet: He asked me what I wanted to do when I grew up and I, of course, said ‘Be a pianist like you.’ He WHERE THE STARS ALIGN AND PERFORM FOR YOU said, ‘Remember to always be nice to your audience and make time for them, because, without our audience, we don’t exist.’ This is so true and I still think of that now. If they’re able to organize it, I’ll always have a table in the lobby after concerts and sign whatever people want and meet every person there who wants to meet me. Growing up, I loved to meet artists at a concert, and there was nothing worse for me than to go running backstage and say I want to meet Mr. So-andSo and be told he’s not receiving anyone because he’s tired. I said I would never do that. Sometimes, it could take just 30 seconds to change the life of someone. JOIN US Sundays at 5:30 pm for our 2013–2014 Concert Season MISCHA MAISKY, CELLO LILY MAISKY,