Overture Magazine 2013-2014 November-December 2013 | Page 21

Program Notes } smaller-scale works for instruments and voices had won him esteem in musical circles, but little public attention. Holst’s first and only work for very large orchestra, The Planets created an immediate sensation. The New York Philharmonic and Chicago Symphony fought so heatedly for the American premiere that a compromise had to be struck: both performed it on the same day, but New York received the edge because of the time-zone difference. But Holst stuck to his credo: he never did repeat himself with another big work in this style. Not a symphony, The Planets is a series of seven subtly interrelated tone poems or, as Holst preferred, “mood pictures.” When Holst wrote them from 1914 to 1916, he had become very interested in astrology. Thus, he was actually thinking more about the astrological influence of the planets on man’s character than their qualities as celestial bodies. Each planet bears a subtitle revealing the movement’s overall mood. The Planets The Planets’ dazzling orchestration is the key to its impact. Holst had earned his living for many years as an orchestral trombonist and thus knew the orchestra from the inside. His giant orchestra — including organ and a generous percussion section— provides not only power for “Mars,” “Jupiter,” and “Saturn,” but an extensive palette of soft colors for the subtler “Venus,” “Mercury,” and “Neptune.” Mars, the Bringer of War: So powerful is “Mars” as an evocation of modern warfare’s savagery that listeners assumed Holst must have been reacting to the news from World War I’s trenches. However, “Mars” was actually composed in 1914 before that fatal August. In the unusual meter of 5/4, it opens with a relentless rhythmic ostinato — first tapped out by timpani and violins striking their strings with the wood of their bows — that gradually mounts to an ear-splitting din. Horns and bassoons introduce the ominous three-note principal motive that ends with a dissonant half-step fall. Holst instructed that “Mars” be played as fast and brutally as possible. Venus, the Bringer of Peace: The antithesis of “Mars,” “Venus” is a very soft and lyrical slow movement featuring peaceful descending lines for flutes, a sweetly pastoral melody for solo violin, and the bell-like sounds of celesta and harps. Mercury, the Winged Messenger: Inspired by the Greek messenger of the Pre-Kindergarten through Grade 12 Gerstell Academy ★ Success Through Leadership ★ Are you looking for a school that will inspire and motivate your child to reach his or her full potential in leadership, college preparatory academics, and physical training? Do you believe it is important to acquire the critical thinking skills necessary to compete in a global society? Gerstell Academy provides a values based education for students in Pre-Kindergarten through Grade 12 that challenges each student to develop his/her full potential. Students enjoy art, music, and competitive athletics in soccer, basketball, and lacrosse. Ride the Bus! Visit us on the web at www.gerstell.org Call us at 410.861.4400 Ask us about scholarship opportunities! Call today to R.S.V.P. for an Open House or to schedule a Shadow Day. Gerstell Academy, 2500 Old Westminster Pike Finksburg, MD 21048 November– December 2013 | O v ertur e 19