Overture Magazine 2013-2014 May-June 2014 | Page 35

Program Notes } about creating a work to commemorate the lives lost on September 11, 2001 for the opening concerts of its 2002– 03 season, which would fall close to the first anniversary of that terrible tragedy, the composer remembers that he said “yes” without any hesitation. There were indeed good reasons to refuse. Usually, Adams explained, a commission for such a major work would come at least a year in advance, but this one would need to be accomplished in no more than six months. Nevertheless, “I knew immediate