ODEON Magazine 112 Sept/Oct | Page 27

Why are filmmakers so fond of Stephen King’s work? Stephen King writes very exotic, often terrifying stories to which we can all relate. His heroes are ordinary people confronted with the extraordinary. He is like American folklore, or fairy tales, beneath the possessed cars and psycho clowns lie universal truths about human nature. What surprised you most during your research for the book? How involved King gets. But he’s not a control freak. Once happy with script and casting, he keeps his distance, usually only popping by for a corny cameo. Shining? Doctor Sleep will tell you – but you’re not going to like it. Now a middle-aged man, wrestling with his psychic powers and the emotional fallout from being chased through a haunted hotel by his axe-wielding dad, Torrance (Ewan McGregor) finds kinship with the similarly gifted Abra Stone (Kyliegh Curran). But the pair are soon pursued by a merciless cult who reap psychic children – and Dan realises he can never escape the ghosts of the Overlook Hotel. See It Chapter Two from 6 September and Doctor Sleep from 31 October Sleepless night potential: King wrote It 33 years ago and yet It Chapter Two is one of the film events of ‘this’ year. What is it about this particular story? It is basically King’s greatest hits album. The one with everything: children in peril, fear as a polluting force, a shape-shifting monster, and a dreamlike sense of nostalgia for smalltown America. Without It you don’t have Stranger Things. And there is something primal about a scary clown. King was actually inspired by the time he got on a flight with a seat empty beside him. At the last moment, a clown – red nose, big shoes, the whole deal – sits down next to him. He was on his way to open a new McDonald’s. King was certain his time had come. Just how excited should we be for Doctor Sleep? Extremely. Mike Flanagan, the director, is a master of elegant, unhurried, seriously creepy storytelling. He is a King disciple, with a gripping version of Gerald’s Game to his name. And the recent trailer revealed that Doctor Sleep is daringly a direct sequel to Kubrick’s The Shining with enticing callbacks to the Overlook, the Grady twins, Room 237... King has apparently seen it and approves wholeheartedly. Finally, we have to ask, what’s your favourite King adaptation? In the book, I made a league table based not only on how good the film or TV series might be, but how true to King. So the winner wasn‘t Carrie or The Shining – foremost De Palma and Kubrick-flavoured classics – but a film, I think, that captures the heart of King – Stand by Me. It is a monster movie where the monster is time. Stephen King at the Movies is a complete history of the films and TV shows adapted from the work of Stephen King. It’s an absolute must for movie fans and we’ve got a copy signed by author Ian Nathan to give away. To enter, visit: bit.ly/odeoncompking odeon.co.uk 27 ENTERTAINMENT Watch the trailer The aut at the Movies hor of new book Stephen King ring appeal explain s the Master of Horror’s endu