Obiter Dicta Issue 4 - October 13, 2015 | Page 18
ARTS & CULTURE
18 Obiter Dicta
Concert review
» continued from page 13
nostalgic.
Other than a few thank-you’s after the songs,
Bajer did not talk to the audience. It was all about
the music. I would describe the band’s performance
as ‘workmen-like.’ Bejar didn’t play an instrument
during the concert. During the instrumental sections
of the songs he crouched down into a squat, took a
drink of Stella Artois, and basked in the beauty of the
music he created. The packed Danforth was buzzing
from the opening note until the last. I was lost in the
music for the entire set, nothing else ever entered my
mind.
Destroyer’s encore was the 9-minute “Rubies”
from Destroyer’s Rubies. It is a great comparison of
how Destroyer’s songs have changed over the years.
“Rubies” is lyrically dense with Bajer just spewing
out words. Nothing is left unsaid. With Kaputt and
Posion Season, less is more when it comes to the
lyrics. However, Bajer still manages to pack an overwhelming amount of meaning into his concise lyrics.
On the whole, Poison Season is darker and less
popy than Kaputt. It features an abundance of
dazzling string arrangments which did not feature
on Kaputt. The trumpet on the Springsteen-esque
“Dream Lovers,” the most popy song on the new
album, gave the crowd at the Danforth a extra shot of
energy. A charming rendition of my favourite song off
the new album, “Times Square” came in the middle
of the set. It contains the most memorable lyric on
the new album: “Writing on the wall / Wasn’t writing at all”. “Times Square” appears on Poison Season
three times in three very different styles. Apparently
Bajer couldn’t decide which version he liked best.
In interviews, Bajer says there was a plan to record
Posion Season live in studio. This is in direct contrast
to Kaputt, where the songs were tracked and layered instrument by instrument. As a result, all of the
new songs come across naturally streamlined for live
shows.
Bajer considers himself an artist first and foremost.
He would likely cringe at being labelled a rockstar or
singer/songwriter. He is one of the few artists working today to include poetry in his lyrics. Bajer believes
that art exists because words are not enough to
express all of our emotions. In interviews he can come
across as pretentious, dull, and a little fed-up. His
physical appearance is one notch above what would
be expected of a hobo on the street. That is Bajer’s
whole persona. It is as if he wants you to believe he is
a tortured artist who spends his solemn days writing
poetry, engaged in philosophical debates and musing
on the shortcomings of the world. And maybe he
does. I don’t know. But I can see why he may initially
rub some people the wrong way. For me, his music
contains a poignancy and intellect that is absent in
most popular music today, and this is enough to overlook any shortcoming. u
t humbs down
The skyrocketing salaries at Hydro One.
TV L Rev
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lawyer on TV complaining that legal television is
inaccurate is too delicious to not appreciate. There
were a few moments that made me genuinely chuckle
and the entire case appears to have a real energy. I
would say this definitely worth a look especially if
you’re in for some less serious melodrama than you
would get from HTGAWM. My one complaint would
be on the more technical side, the editing and certain
framing of scenes felt janky. u
THIS WEEK’S BEST LEGAL MOMENT:
Both shows were light on legal content and focused
mostly on the character drama, but in HTGAWM
there’s a scene of Asher (Matt McGory) turning down
sexy times to study for a “CivPro” exam. Real law students say “CivPro”; so realistic!
Rankings (Graded on the Osgoode Bell Curve):
HTGAWM episode 1: A
The Grinder episode 1: B+
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