Obiter Dicta Issue 12 - March 10, 2014 | Page 11

page 11 A R T S & CU LT U RE Review: Watch her KAROLINA WISNIEWSKI Editor-in-Chief If there are two words I cannot stand to see in print, they are “sublime” and “Kafkaesque”. There is nearly always a less pretentious way to achieve descriptive accuracy, and I’ve come to regard overreliance on those turns of phrase to be little more than laziness hidden beneath a thin veneer of pseudo-intellectualism - something I have little patience for in general. In light of this, I struggled to find adjectives that could replace these words in my review of the National Ballet of Canada’s performance of Watch her, and I’m only a little disappointed to say that I was unsuccessful. Though I had seen my share of ballets before attending the March 1st performance of Watch her, I had never gone to a modern ballet. As a child, like most young dancers, I anxiously awaited my yearly trip to The Nutcracker (and was a little too old before I