The Art Magazine September 2020 | Page 8

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Thanks a lot for your time and for sharing your thoughts, Edina. Finally, would you like to tell us readers something about your future projects? How do you see your work evolving?

As for my future projects, I have a couple of projects in the backburner which still needed to be realized and developed. A project I have already proposed to a festival is called The Rising Path of Woman where I explore the role of a woman generally speaking and me as an individual and a representative of the class of women. I am exploring the effect of bodily fluids on certain life periods, that what fluids are dominant and how they affect the growth of the individual. In the future I would like to focus more on the creation of performances and the integration of new techniques and media in them. I wish to create more multimedia performances, to perform at various places such as the street, festivals and theatres, and to create interactive performances and workshops. I would definitely like to cover more countries and continents and to find a group to create with and who has similar affiliations. Similarly, I would be more than satisfied to include others in my work as participants. Besides my own projects and performances, I participate in different collaborations, for instance in a week’s time I am taking part in a project called Blind Fields (created by Šivinjski Danijel) where the artists of different fields of art (such as painting, performance, music, etc.) explore nature and their art blindfolded. Another project is Marko Nektan’s project of 365 day butoh performance creation, which based on a concept to create a performance in the frame of butoh every single day for a year. I will join him one day to get our creative energies united. This year I would like to apply for a Master’s programme in Belin for Solo/ Dance/ Authorship to acquire more theoretical and practical knowledge about various forms, and the rest is…