Not Random Art Contemporary Art | Page 15

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exhibitions, literally plunging the audience into one of my worlds. I would like to make these exhibitions a complete audio / visual experience, using my music composition to enhance the atmosphere. I am eager to connect with suitable curators and gallerists who would be interested in helping me to realise this type of exhibition.

Thanks a lot for your time and for sharing your thoughts, Paul. Finally, would you like to tell us readers something about your future projects? How do you see your work evolving?

Thank you so much it has been an absolute privilege to be included in your publication !

I am working on a new series of portrait paintings in oil, using palette knives instead of brushes, in which I hope to push the boundary between abstraction and representation .

New digital artwork in a similar style to the Metamorphica & the Danse Macabre series, which will expand to include other worlds, outer space and different dimensions.

New pencil drawings which will explore surreal scenes within handheld crystal glass orbs.

And returning to my love of music composition, a new album of instrumental electronica…

- ( I released an album of chillwave electronica in 2018 under the pseudonym “Kinetic Alchemy” - just search “Kinetic Alchemy” on Spotify, Apple Music etc to stream the album - one of the tracks is being used by a professional UK dance company, in a contemporary dance work in 2019. I’d love to collaborate with more dance companies in this way as the music really does lend itself to choreographic interpretation )

As for the future, who knows ? I’m sure it will evolve :)

Thanks a lot for your time and for sharing your thoughts, Antonia. Finally, would you like to tell us readers something about your future projects? How do you see your work evolving?

I am currently working on a concept for a new series. The basic themes will build on the previous pictures. In which form i want to work with the deformation is not clarified yet. I am working with various techniques to find a suitable type of deformation for the new series. My goal is to present with the photography emotional states, which cause the viewer to reflect himself and the work as such. For me photography is both a tool and an artistic instrument to explora Klingler and Boris Nieslony was decisive for me and led me on the path of Performance Art which is a for