Nocturnal Issue V | Page 81

"in this image flooded world we live in, what we see matters"

make them three dimensional and memorable without the same kind of baggage.’

Her short film We Love Moses is honest and her understanding and lived experience means it doesn’t feel exploitative. It’s her unique experience and voice which makes her work poignant and interesting. This isn’t to say that people can only create art about themselves and their own experiences, because there are some wonderfully empathetic films out there – but everyone is different and has a different perspective. Film is an exercise in empathy and it shouldn’t exclude narratives or create a dangerous single story narrative about certain groups and identities.

REBA MARTIN