NM CliQ Magazine June 2015 | Page 61

STUDIO SHOOTS MASTER YOUR LIGHTING SETUP -- Dave Stabley Over the last two issues of NM CliQ Magazine we introduced the concept of single-light studio lighting and covered the first of five Portrait Lighting Patterns, Short Lighting. To review, Short Lighting is generally used as a corrective measure to help make rounder faces appear to be a bit slimmer. In this installment, I will cover two more of the patterns, Broad Lighting, and Rembrandt Lighting. Broad Lighting Here the main light illuminates the subject on the broadest area of the face, from the camera’s perspective. When the subject has his/her head turned to one side, you are lighting the side of the face that is closest to the camera. This portrait lighting pattern simply places visual emphasis on the area of the face turned toward the camera--the area more in-line with the camera axis. Broad lighting produces a larger area of light on the face, and a shadow side which appears smaller. Broad lighting is sometimes used for “high key” portraits. This type of lighting makes a person’s face look broader or wider (hence the name) and