NM CliQ Magazine February 2016 | Page 30

The “SECRET” to Great Portraits It’s In The Eyes! Learn how to capture tack-sharp portraits with this step-by-step tutorial about expert camera focusing techniques. Whatever method you choose, those eyes need to be tack-sharp. If the focus is off, it’s usually only by a whisker, so don’t be fooled into thinking you’ve got it right just by glancing at the LCD screen. Portrait photography often means using a wide aperture and longer focal lengths to create a shallow depth of field, throwing the background out of focus. This makes focusing more important than usual, as sharpness is captured across a very narrow plane, often of just an inch or two. FOCUS ON THE EYES If in fact, the eyes are the window to the soul, that is exactly where we need to focus our shot to be sure we capture the person in the photograph. The eyes are the most vital element of a portrait, so it’s essential to record them sharply, particularly if you’re using a wide aperture. Some photographers like to focus using the central focus point and then recompose, while others will set an off-center focus point, as I did. Review the image properly by zooming in on the eyes to make sure they’re sharp. SELECT THE FOCUS POINT As mentioned, some photographers focus using the central focus point, then half-press the shutter release to lock the focus, and recompose to place the subject off-center. However, that slight movement when recomposing can be enough to throw the plane of focus off. For greater accuracy, use your SLR’s singlepoint autofocus. Most SLRs give you a choice of nine or more focus points, which can be selected via your camera’s rear joystick or dials. Setting an off-center focus point over the subject’s nearest eye will give you an extra modicum of precision that could mean the difference between soft and sharp. USE THE REAR BUTTON SLRs are almost always set up so that half-pressing the shutter triggers the autofocus. But when you think about it, is this really the best way? Why entrust both focusing and shutter release to the same button, when a button for each can potentially give you greater control? Lots of pros prefer a custom function that triggers autofocus with a rear button positioned where your thumb usually rests (see your camera manual to see how to set it up). It takes some getting used to, but can give you greater control when focusing and composing your shot.