Trends New Zealand Volume 34 No 1 | Page 35

He also adopted the lichen’s ability to find the most advantageous environmen- tal conditions to grow in, allowing the house geometry to twist and turn to find the best position on the site. The approach to the house has been kept deliberately subtle and unassuming. “When you drive up, you really don’t see the house until you’re right by it,” says Schwartz. “It’s very low slung and almost demure, given its size and the landscape around it. It doesn’t draw attention to itself.” In keeping with this, the residence is clad in cedar stained a translucent grey with purple undertones, a colour that complements the setting, the oak trees and the lichen. “But when you open the front door, you’re hit with this astonishing view that’s framed by the house. The house helps you understand the site and its qualities by choreographing your movements so that the best qualities of the site unfold.” This ‘unfolding’ results from the home’s T-shaped plan, the two main arms of the T forming the living wing and the bedroom Above: Architect Neal Schwartz says aspects of the lichen’s symbiotic relationship to the oak trees underpin the architecture of the home. The most overt expression of this is the patterned aluminium trellis that frames the house on the pool side. This photo looks back from under the trellis on the pool side of the house, through the entranceway and front door, to the carport and oak trees at the front of the house. search | save | share at