New Legend Magazine August Issue | Page 74

the prodigy of Erick Hawkins Katherine Duke began studying with Erick Hawkins in 1983. She made her professional debut with the Erick Hawkins Dance Company in 1986 at Lincoln Center. Ms. Duke’s mercurial grace, purity of presence, and focused phrasing, as noted by Anna Kisselgoff of the New York Times, brought her critical acclaim. She became a teacher at the Erick Hawkins School and taught composition for Lucia Dlugoszewski. Ms. Duke performed as a principle dancer with the Hawkins Company until 1991. In 1995, Ms. Duke returned to the Hawkins Company as a guest artist and teacher. At that time she assisted Dlugoszewski in setting Hawkins’ Journey of a Poet for Mikhail Baryshnikov. She served as rehearsal director to the Hawkins Company in 1999 and assistant to the choreographer in 2000. American writer and journalist Jamake Highwater has written, “There is little doubt that Katherine Duke represents the idealization of Hawkins’s four decades of creating dance.” Ms. Duke became the artistic director of the Erick Hawkins Dance Foundation in 2001. As artistic director she produced a spectacular concert of the Erick Hawkins Dance Company at Florence Gould Hall in New York honoring long time collaborator 72 N Ralph Dorazio in 2003. The Company performed in Broadway Cares’ remember project from 2001 through 2004. A New York season at Lincoln Center, Why is the Cherry Red, showcased nine of Hawkins’ classic pieces and premiered Fountain in the Middle Of the Room and Elusive Pierce in 2005. Sheen of Water Dreamed was premiered at Wooster Arts Space in New York. The Company performed at the Manhattan School of Music in 2005 and 2006 and just recently this April of 2016 with Erick Hawkins Dance Company’s music director David Taylor. of Hawkins’ works at Marymount College, New York, the University of Las Vegas, Nevada, the University of Richmond, Virginia, Sharing the Legacy Projects at Hunter College, New York, the Governor’s School for the Arts in Norfolk, Virginia, Case Western Reserve in Cleveland, Ohio, and Texas State University in San Marcos, Texas as well as dance companies in Kalamazoo, Michigan, Norfolk, Virginia, St. Louis, Missouri, Santa Barbara, California, and Austin, Texas. In an effort to preserve and perpetuate the musical, compositional, and choreographic legacies of both Dlugoszewski and Hawkins Ms. Duke facilitates the reconstruction of classic repertory for universities and professional companies. Ms. Duke set Hawkins’ Early Floating on Mikhail Baryshnikov’s White Oak Dance Project in 2002. She has coordinated the production New legends magazine