New Jersey Stage January 2015 | Page 118

Alix: Lulu, Anne and I made two pilot episodes while we were also doing news reporting. We sort of made them after-hours and in-between the cracks, and then finally shared them with the people at NPR who make decisions. They were all incredibly kind and supportive about everything, and helped us think through how to go forward, and what was working, and what wasn’t. Did you learn lessons from the previous shows that you were able to apply to Invisibilia? Things that you kept in the back pocket and said, “We are never, ever, no way, doing that.” Alix: I gotta say working at This American Life was one of the best things that ever happened to me, and I didn’t walk away with much in the way of - never going to do that. The only thing that I can think of that falls into New Jersey Stage that category for me are the hours that (TAL host) Ira Glass worked. He worked CRAZY hours. C-R-A-Z-Y. Lulu: Actually, mine is the same answer! Darn lucky to have ever ended up at Radiolab, changed me and my ability to tell stories unthinkably, but I’ll add two or three more “As” to the C-R-A-AA-A-Z-Y of hours worked there. Now that the show is up and running, do you feel that those “never evers” may inevitably creep back? Alix: In the last month the hours have been pretty bad, but I’m crossing my fingers that this is just a phase that we are passing through and a more sane life awaits in the near future (‘she said as the clock reading 11:30 pm blinks just to the side of her computer.’) Was there any trepidation in telling that initial story, even though you knew how it January 2015 pg 118