New Jersey Stage 2017: Issue 40 | Page 74

he so far out there that people down the hall truly wondered if he knew what he was doing? Yes and part of it is he doesn’t know what he’s doing. That’s the biggest thing he has going for him. He knows music, but he’s not like a Geoff Emerick who was trained a certain way. I don’t want to underscore Geoff’s own skills in being an innovator learning how to read music may have helped with his experi- mentation? Oh yes. He wasn’t as wedded to it as someone who had that train- ing from when they were very young. He knew how to be in a scratch band, so he understood what The Beatles were doing and how he could be their translator. In many ways, his son Giles now How did they have this artistic trajectory like nobody else that goes straight up? Nobody does that. himself, but George didn’t come from all that training. He’s a mu- sic guy and part of the reason I think he appeals to a guy like John Lennon is that he doesn’t see the boundaries. Even when he does, he realizes with a little ingenuity you can probably usurp them. Do you think that never fully NJ STAGE 2017 - Issue 40 is far more adept at understand- ing music because he’s had a dif- ferent kind of training. What continues to drive you to learn more about the Beatles’ story? I still have central questions I’m trying to answer. How did they have this artistic trajectory like nobody else that goes straight INDEX NEXT ARTICLE 74