Musée Magazine Issue No. 17 - Enigma | Page 29

ARTHUR: When I began painting the objects in bright colors, it brought them to life. When you’re working with certain kinds of textures and decay, color brings out all of those details. At that time color was not so easy to work with. Color films were very slow, so I had to use a tripod, and often the exposures were two to three minutes. ANDREA: I came across these images at AIPAD, and when I looked at them I thought they were very enigmatic, yet you think they’re very straightforward? ARTHUR: The photographic technique is very straightforward. There’s no manipulation afterwards in the darkroom or anything else. One of my great lifetime inspirations is the early paintings of de Chirico, the surrealist painter. His paintings are full of a mysterious violence, and a certain level of anxiety. I think the mood of this hospital series is very mysterious in the sense that these are like objects from another civilization. Arthur Tress, Throne of Bacchus, 1986. 27