Modern Tango World N° 8 (Moscow, Russia) | Page 17

By 2003, the number of tango dancers had grown from a handful to a few hundred. The first Argentin- ean tango festival, Nights of the Milongueros. was held by the teachers-enthusiasts. This festival continues to be held to this day. During the first decade of the new millenium, most Moscow tangueros went to hangouts where first milongas and performances by Argentine teachers were held. At that time, it all seemed very exotic. In the following years, the first wave of students be- came tango teachers. They opened several new tango schools. During htis same period, the first permanent foreign teacher of tango Diego Arizaga established himself in Moscow. He came from Buenos Aires to re- side and work in Russia. His students formed a second branch, as they, in their turn, also became teachers. In this way, the number of tango schools grew to five, then seven, and then ten. Early on, the teaching methods in Moscow were great- ly influenced by the Argentine dancers, Carlos Gavito, Gustavo Naveira and Graciela Gonzalez. Later. the influence came from the lessons of Javier Rodriguez, Geraldine Rojas, Horacio Godoy and Sebastian Arce. Around 2006, the phrase dancing in style Villa Urquiza, could be heard at Moscow milongas, for the first time. The fascination with this idea is noticeable in magazine publications and flyers of that time. It should be noted that the eponymous district of Buenos Aires has not patented any special manner of dancing. The term Villa Urquiza style was coined by two teachers from the US and is not entirely meaningful. Except for the fact that in the 70s in the barrio Villa Urquiza there were large milongas and a recording studio operated there. The economic situation in Russia gave an opportunity to start small business during the period 2005-2010. As a result, more and more tango-schools opened. The increase in the scope of teaching and the number of milongas that were conducted could also be ex- plained by the trips of tangeros to Buenos Aires. The tango began to influence the private life of the danc- ers, encouraging some of them to live in Buenos Aires for a few years or for life. — 17 — TO SUBSCRIBE, CLICK HERE