Meredith Events Volume I | Page 66

always fascinated me. It took me quite some years to figure out that fashion illustration contained all the aspects I aimed for and to take a big decision to really try to make a career out of it. I've been working for many years as a pattern-maker/illustrator for clothing labels and as a graphic designer.

For the last few years I felt the need to dedicate more time on fashion illustration to improve my skills...as I never really had the time - beside my job - to improve my drawing techniques. So last year I decided to take the big step. I quit my job and went on an inspiring four-month trip through Southeast Asia, something I have always wanted to do in my life. With all the sketches and pictures I made in Asia, I started as soon as I came back to convert them into illustrations and started my own company.

What one piece of advice would you give someone who was interested in becoming a Fashion Illustrator?

All artists change in a certain way the "reality" of imagery into their own. In my opinion, every illustrator should be able to convert the inspiration they see around them (images, pictures, illustrations, patterns, clothes) into their own unique style.

Who is your favorite artist and why?

I remember when I was young I saw an illustration by Antonio Lopez, and I was immediately in love with his style...the simplicity in his line-work and the elegance in the coloring. This certainly was a big influence for me to choose this career.

Who is your favorite designer and why?

Anything with a whimsical quirk - a strong, elegant, but dolly look - will catch my eye. I love the designs of Prada, D&G, Gucci, Dior, Marc Jacobs, and Viktor & Rolf.

What are your future goals in fashion illustration?

I just want to keep doing what I love - drawing all day, expanding my audience, working on challenging and fun projects for editorials and fashion labels, collaborating with inspiring artists, having gallery shows, and much moreā€¦

AnnaBours.com

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