Marin Arts & Culture MAC_Feb_Mar-18 | Page 33

Beyond the Ashes By Judith M. Wilson T he art is still standing at Paradise Ridge Winery, which is something of a miracle, considering the events of October 9, 2017. Before dawn that Monday, the Tubbs fire tore through northeast Santa Rosa, leaving the winery’s hilltop tasting room and winemaking facility in ruins, and yet somehow, the sculpture in Marijke’s Grove and the meadow survived, along with the vineyards. Marijke’s Grove, a four-acre outdoor sculpture garden with paths meandering through the oak trees, and the meadow, which houses Laura Kimpton’s Love and David Best’s Temple of Remembrance, are closed for the moment. “It’s hard to open the gates when we can’t be there,” says co-owner Sonia Byck-Barwick, but work to clear the debris and plans to rebuild the lost structures are underway, and the property will reopen, allowing guests to admire some stunning art pieces in a natural setting and sip Paradise Ridge’s award-winning wines once again. “It’s the wine; it’s the art for us,” says Byck-Barwick. “The heart of the winery is still intact. It gives us hope.” Walter Byck and the late Marijke Byck-Hoenselaars purchased the 155-acre Russian-River property in 1978 and raised their family there. The winery opened in 1994, and the sculpture garden came a year later. “My mother Big Joe by Peter Forakis. was running the winery, and my father was looking for something to do,” says Byck-Barwick. She explains that her parents were engaged in a sculpture garden in Europe, and art was meaningful to them, and one day while on a walk, her father realized the space would be an ideal spot for sculpture. The first exhibit opened in 1995, and in 2012, the Byck family invited the Voigt Family Sculpture Foundation to curate a show, and that was the beginning of a continuing partnership. Cairenn Voigt recalls that her father-in-law, Al Voigt, had passed away shortly before, and the family didn’t feel ready to make a long-term commitment, but they offered to do one show to see how it went. That first show, a tribute to Al Voigt, was The Spirit of the Man, and it contained 40-odd sculptures and stayed up for two years. “It was a big success,” says Voigt, and the two families had a wonderful time working together and decided to continue. The current exhibit, Geometric Reflections, curated by Kate Eilertsen, is 33 Marin Arts & Culture