The 1990’s represent a continuation of her continual search.
Both her painting and sculptures took a sharp change in direction towards increasingly more essential forms with ever more complex research into materials and style.
The art critic prof. Giorgio Segato, writes about her: "FaustaDossi feels much the materials and the color, love the sculpture and painting, but with both sets an essentially tactile relationship, in molded or in engraving, and in collage and decollage. Tactility is one of the dominant characters of his work: able to act on the plastic mass by making movable parts on pins, so as to modify the volumes, the prospects, the play of light on the surfaces, often with the constituent parts treated in different ways, the polished or brunite the movable part, and the skinned fixed one, so as to highlight the articulation and the eventuality of a rotation that opens spaces, "thresholds".