LOUDNEZZ November 2013 Issue 1 Volume 1 | Page 44

REVIEWS Andy John Bradford’s Ocean 5 Progressive Rock is a genre of music that is split into myriad different sub-genres. Each sub-genre is both alike, and different from every other genre (if that makes any sense at all), but one I haven’t heard a lot of is Progressive-Folk, and Andy John Bradford’s Ocean 5 is just that. And their debut album, “Return To Mingulay” is the best example of the sub-genre that I have ever heard. What the band have created here is easily some of the best music I have ever had the privilege of listening to. The vocals and the music have been written so well, and both compliment each other so beautifully, that I would be surprised if this album didn’t get all of the attention that it so rightly deserves. The album opener, “The Mingulay Boatsong” is a very beautiful song, both musically and vocally, but it’s the guitar solo that really adds an amazing layer of depth to the track. The way it seems to blend so seamlessly with the rest of the music makes this song a favorite of mine. The rest of the disc is just as good as the opening track, and really has some brilliant moments of music within its grooves. From the slightly heavier feel of “The Whitby Smugglers Song”, “Dancing With the Rhythm of the Shore”, and “Empty Hands”, the beautiful “Sails off the Bay”, and album closer “Fly Away”, and the more upbeat “6000 Friends” (featuring the vocals of Lorelei McBroom of Pink Floyd fame), and a song that, to me feels like it would go over very well with fans of Frank Zappa, “Dancing With the Rhythm of the Shore”, this band proves that they are true masters at their craft, and amazing songwriters. “Return To Mingulay” is a definite contender for album of the year in my eyes. This album is perfect for fans of folk, progressive rock, and anybody who loves a well crafted musical work of art. There is not a dull moment on this entire disc. And also, not to be missed, is the phenomenal artwork by the amazing Sonia Mota. The graphics are so incredible and fit the mood of the album just perfectly. I would be very surprised if I didn’t include this album in my top ten of 2013. Rob Mallory The Flower Kings Desolation Rose When The Flower Kings released “Banks of Eden” in June of 2012, fans rejoiced, the long wait was over. It had been nearly five years since their previous release, “The Sum of No Evil” had been released. So when the band announced that the would be releasing their newest album in October of 2013, as a huge TFK fan, I was elated. So happy that I didn’t have to wait another few years to hear some new music from one of my favorites in the Progressive Rock genre. And as always with this band, I was not disappointed by what they had to offer this time around. “Desolation Rose”, released on October 28th of 2013 is everything that fans of the mighty Flower Kings have come to expect from them, enchanting melodies, ethereal music passages, beautiful guitar playing, and the perfect vocal harmonizing that we have all come to know and love. As with the previous few albums, the album kicks off with the big epic piece, the nearly fourteen minute “Tower One”, a song that is destined to be a TFK classic. With fantastic music, and an incredible vocal performance, it’s no wonder the band chose this song to kick off their twelfth studio album. And the good music doesn’t stop there, as the band expertly tear through another nine tracks of pure proggy goodness. From the crunchy rock of “Sleeping Bones”, to the beautiful prog melodies and groove of the title track, the diversity of “The Resurrected Judas”, the very dark and ballsy duo of “Dark Fascist Skies”, and “White Tuxedos” and of course the beautifully majestic songs “Blood of Eden”, and disc closer “Silent Graveyards”, it’s evident that releasing an album so close to the release of the previous posed no problem for these seasoned prog geniuses. When you stack this album up against the other albums in The Flower Kings discography, I find that it fits ve '?vV????F?V?"????v???&W76?fR&?G??bv?&??F??2?'V??2F?R6?RfVV??`?F?V?"&Wf??W2F?672?v???R&V??r6??WF???r6???WFV??WrBF?R6?RF??R??v?V?B6?F?BF??0??'V?v???v?F?v??W7B2vV??2???'V?F?@?F??2F?V?FVB&?w&W76?fR&?6??WFf?B?2WfW"&V6?&FVB?W76V?F??&?rf?"#2?( E&?"????'???C@??