LiQUiFY Magazine December 2013 | Page 43

I t’s not every day you get to sit down and chat with an Australian music icon - a lunchyard legend and mythological sticks man who’s seen it all and then some. At FROTH we’re all about the comebacks and underdogs, but as we rip into a dialogue with Spiderbait’s Mark Maher, known moreover as Kram, he is quick to hose down any talk of their first album in nearly a decade from being any kind of return. Truth be told, the ‘bait never actually left the building. Fresh from hitting the Gold Coast for the car races in October, Kram is still abuzz, and his exuberance is clear from the onset. He starts telling us about his little dip in the sea - the one he took smack in the middle of their blasting set on a crowded Surfers Paradise foreshore. “It was awesome!” Kram tells FROTH. “I don’t really get to go to the races and see all of the exciting stuff, but the gigs they put on are always fantastic and generally the crowd, I mean, this was no different. They set up the stage on the beach, and as soon as I arrived I thought ‘I’ve got to get in the ocean’, so half way through Black Betty I just jumped off the stage, ran and took a dive into the waves and it was just awesome ... the crowd started coming in as well and we had to kind of get them all back and then get me back on stage and finish the song. I thought well, if they’re going to set up an awesome stage, a fantastic gig right on the beach where the sand is, right where the people are, well I thought it was really cool. Someone said there were stingers, so we ask him, but Kram managed to dodge the critters saying - “I survived, I don’t think there were any bluebottles, it was like 8 or 9 o’clock at night. Some of the security were worried that I might not be coming back, but I made it back ha.” Spiderbait are back, at least on the album front with a cracking new record that holds a lot more than the gleaming cover suggests. The self-titled offering is richly diverse and stacked with everything from dreamy synths to rip-roaring riffs, all without straying for a second from the unmistakable famous Spiderbait sound. After a few listens we get onto the topic of a particular song, one that has taken many by surprise. The outer space sounds of Supersonic hook you in and take you places, with the smoothest of vocal harmonies and rollercoaster ride melodies. Kram is stoked we picked it first, and we find out it’s the first time he’s ever written an entire song for Janet to sing. “Yeah I live in Byron now, and I spend a lot of time at