Link April 2017 | Page 58

music feel the rhythm Music writer Anthea Skinner discovers a music therapy program for children who are DeafBlind. “Imagine living with 95 per cent their surroundings. They may think sensory loss on a daily basis. that the environment is so small,” Imagine every time you use your explains Justin, “Clarisa does not senses, you miss out on 95 per know that a very big world exists… People who are DeafBlind have a cent of the information flow to the We want to get her curious about combination of vision and hearing brain… Clarisa’s brain is fine but her surroundings.” loss. DeafBlind children often she has an ‘information disability.’” experience delays in communication, Music is a great way to encourage motor skills and socialisation. Music The effect of DeafBlindness as this curiosity. DeafBlind children therapy and music education can an ‘information disability’ is far appreciate music through any assist in the development of these reaching, especially for children residual hearing or sight that they skills, helping to bring the outside who, like Clarisa, are born may have, as well as by feeling the world to children who often struggle DeafBlind and who have little, if any vibrations cause by sound waves. with isolation. residual sight or hearing. Children who are DeafBlind often struggle At one year old, Clarisa Vollmar is In Link’s October 2014 issue we to acquire language. Unable to just beginning her musical journey. discussed some of the issues facing hear or see people speaking or Last year her family were donated a deaf people in accessing music. signing around them, they rely on Subpac, a tactile audio system which Depending of their level of hearing direct tactile communication, such translates music into vibrations. impairment, DeafBlind people as tactile sign language, to learn to Subpacs are just one of a number may hear little, if any, of the music communicate. DeafBlindness can of technologies designed to amplify itself, but they are also cut off from also cause delays in motor control vibrations without amplifying sound. the visual aspects of performance. and socialisation because children The most simple of these are Unable to see musical instruments, do not reach out in response to soundboards, large, hollow wooden or the people playing them, a objects and people that they are boards which transmit vibrations DeafBlind person receives little unable to see or hear. “DeafBlind to anyone sitting or lying on them. information on the way sound is babies may not know much about Unlike soundboards, which are made or music is produced. Justin Vollmar’s one-year-old daughter, Clarisa, was born DeafBlind. Justin, who is Deaf himself, explains some of the barriers his daughter faces in learning to understand the world around her: “The brain receives 70 per cent of information through the seeing sense. The brain receives 25 per cent of information about the world through the hearing sense. Smell, taste and feel accounts for only five per cent. 56 music linkonline.com.au