LandE scape
Lucie Duban
CONTEMPORARY ART REVIEW
which mixes up together more kind of figurative elements , even if I would call them biomorphic , along with abstract ones . It ' s almost quantic as a process . For each action and choice being made , there is a new direction opened up for the painting to become . Sometimes , the latest choice was wrong ( in terms of colours or form or place ), and I rework it , erase it to go back to the previous state . It ' s an interaction . It ' s what I enjoy the most . The painting guides me so my hand makes it become what it ' s supposed to be in its best form ( one of the many that could happen to exist …).
Sometimes , I believe every paintings already exist outhere in the universe , and it ' s only necessary that painters make them appear under their visible nature to our eyes . So we need as many different painters as possible , since it exists an infinity of paintings yet to become .
For this special edition of LandEscape we have selected Promenade au pays du Mandala and Tout là haut , a couple of interesting works that our readers have already started to admire in the introductory pages of this article . What has at once captured our attention of your successful attempt to unveil the invisible connections in between each living being of this planet is the way you provided the visual results of your analysis with autonomous aesthetics : while walking our readers through the genesis of Promenade au pays du Mandala and Tout là haut , would you shed light to your main sources of inspiration ?
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