LandEscape Art Review // Special Issue | Page 194

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Land scape
CONTEMPORARY ART REVIEW
Raúl Moyado
video games ; virtual spaces are justified by predefined objectives and situations . Most of the landscape continues to be relegated to the background because of the playful interaction with other objects in the foreground .
On the other hand , I take advantage of this quality of digital media in my paintings to experience navigation under the axis of contemplation . To redeem the pictorial representation of digital spatiality in order to proclaim its isolated existence as primary , independent of its connection with other narrative images that give rise to an apparent sense .
I believe that as an artist it is unlikely to take off from influential moments in the creative process .
Based on an experience , Robert Barker , from the vantage point of Carlton Hill devised the starting method of panoramic painting .
Personal experiences intervene even unconsciously . For example , in the paintings mentioned above , my selfportrait as a spectator can act as a starting point , however , it is not an essential or permanent theme since my presence disappears in the following paintings . As the landscapes move