Liana Psarologaki
Land scape
CONTEMPORARY ART REVIEW
but never singular in terms of discipline . I take it that the term language in this context is a critical one ; it implies a visual vocabulary , and a syntax . Because the work attempts to establish the ontological relationship between architectural and artistic space , the vocabulary used is common for architecture and art as spatial practices . This is expressed via processes and methodologies , creative application of particular media , and the fusion of methods into hybrid models of making . This is autonomous from the audience capability to fully read the work , which is something that very little determines the outcome of the creative process .
Thanks a lot for your time and for sharing your thoughts , Liana . Finally , do you have anything else coming out in the near future our readers should look out for ? How do you see your work evolving ?
Thank you very much for the invitation . After an intensive year on terms of making and publishing internationally , I am back in the studio experimenting with more physical media in 2D and 3D . My next endeavour is to publish my doctoral thesis as a monograph and I am currently in conversation with editors about a book proposal . All news will be published in my new website Aylos Topos ’( www . aylostopos . com ), which stands for ‘ Immaterial Locus ’ and is now launched as an online platform for presentation , publication record , and debate . Stay tuned !
An interview by Katherine Williams , curator and Josh Ryder , curator landescape @ europe . com