Heidi Thompson
Land scape
CONTEMPORARY ART REVIEW symbols . Common symbols are like stick men , sun with rays , or a Christmas tree . The first lesson a teacher gives the art student is one that will help the student see reality as it really is .
The effective combination between both intense and thoughtful nuances of tones we can admire in your OK Sunshine Series sums up the mixture of struggle and emotions . How much does your own psychological make-up determine the nuances of tones you decide to use in a piece and in particular , how do you develop a painting ’ s texture ? Moreover , how did you think about your style — your choices of composition and palette ?
My paintings reveal the state of my mind I was in when I painted it . If my mind was agitated , reactive or insensitive , my painting will look agitated . If my mind balanced , my painting will appear balanced . As well , my choice of color and brushstrokes are governed by my state of mind . If I don ’ t like my work , I know the problem lies within me . I believe that the greatest advancement of an artist lies in his own self advancement .
Recently , I worked on a commission for the Kelowna International Airport . The series was called OK Sunshine ( reference to the Okanagan Valley where I live ). I was in an agitated state . My first attempts turned out very red , black and explosive . My husband kindly pointed out those explosive colours might heighten stress of travelers about to board their flight . After an angry reaction , I realized he was right . I took time off to calm down and establish inner peace . When I did , my palette changed to bright , light yellows and uplifting compositions . I have to establish harmony within before I can create a harmonious work . Painting is a journey of self-discovery . A painting will mirror who I am . I can use my paintings to self analyze . My paintings will honestly expose both my noble and ignoble qualities .
As you have remarked once , painting is a journey of self discovery . How would you describe the relationship between intuition and technique in your practice ?
Having developed my painting technique to a point where I can trust what happens , I am free to paint intuitively . My feeling-mind guides the process and chooses the colours and method of application . I believe my intuition is my “ higher ” mind which has the capacity to experience space , infinity and timelessness .
Your work allows an open reading , a multiplicity of meanings and interpretations : associative possibilities seem to be of greater importance . How important is this degree of openness ?
When someone takes time to look at my paintings , I am honored . I enjoy people interpreting my work . Everyone ’ s reaction is unique . My paintings offer little for the viewer to recognize . That makes their reactions even more interesting . The viewer can only “ experience ” the work ’ s colours and composition . Some people see angels , faces or figures . Some feel a sense of mystery . Some see outer space . And others just like the work ’ s tactility , texture and messy chaos . I ’ m happy if my paintings draw the viewer in . And if they resonate this might indicate that the viewer recognizes something . Perhaps