K-OODI Magazine May 2016, Issue 5 | Page 179

Has the fact that you're gay influenced your art at all? For instance, has it had any bearing on the meaning of your art? I'm sure it has. When you are a part of a minority, when you are "different," you look at the world a bit differently. When I realized I was gay I didn't see why it would make any difference whatsoever. Of course, a bit later I learned that being different always comes with a price, no matter what kind of different you happen to be. Seeing things from a perspective where you are ready to allow everyone to be the way they are while your kind is constantly, often publicly, judged ridiculed and theorized... that has certainly affected me on every single level, including my art. As an outspoken gay activist, do you try to convey any particular message through your visual art? Acceptance of self and others. Not being ashamed of yourself. In this world we don't often get the chance to truly discover who we are. We are too busy living up to the expectations of others. Strip away all the social conditioning. Get naked. Expose yourself to yourself. Is gay erotic art your genre of preference? If so, why? I feel comfortable with it though I am not solely a gay erotic artist. My main focus is more diverse. I am proud to paint gay erotic art when I paint it, it's personal and comes from a real place. Gay art will always remain central to some extend but painting other figurative works and abstracts is equally important to me. As an artist, how would you describe the male body? Perfection. When I say that I don't want women to think I don't appreciate the female form. I think overall the human anatomy is a magical perfect thing. You had the first solo exhibit of your gay art at Rupla last summer. Can you tell us about it?