JOY FEELINGS MAGAZINE 94 pages | Page 88

88 The 1990’s was a new decade with a new consciousness of spirituality, sensitivity, and eco-awareness. Prada followed these attitudes by releasing a small backpack made of nylon with modern lines and minimial logos. Unlike logo bags of the eighties, The Prada backpack was discrete and functional but still had a high enough price tag to be reserved for the wealthy.This minimalism spread throughout the fashion industry and designers like Kate Spade entered the market, making simple, stylish, practical handbags that were still luxury items. For a while designers focused on form and construction rather that large logos and decoration but the stylish crowd soon Joy feelings magazine began to tire of utility. The next big bag success was the Fendi Baguette, so named because it fit snugly under a woman’s arm like a loaf of bread, The Baguette came in 600 different designs with pink snakeskin, crystals, Aztec bead-work and other decorations and all bearing the signature Fendi clasp. The Fendi Baguette was immensely popular because it came in so many styles that a woman who carried it could be an individual but could still have the status that comes with carrying a Fendi.