More than a hundred people
participated among musicians,
dancers, singers and extras, in
addition to the forty students who
played the role of pieces of the
game. The Symphonic Orchestra
of Xàbia took part (composed
by half a hundred of musicians,
between the 8 and 56 years, being
the majority between 8 and 18)
under the baton of Joan Bou, who
composed an ex profeso score for
the work; the Salomé Rodríguez
Dance Studio (Salomé herself
appeared in the play); and the
Jove Theater Workshop of Xàbia
directed by Inma Sancho. All
of them performed an excellent
and professional work. Also, we
must highlight the work of the
presenter Irene Wittwer and the
narrators Loli Quesada and Laura
Giuliano, who were impeccable
in their task. And as for the
actors and actresses, even at the
expense of leaving us names for
impossibility of space to quote
them all and that would deserve,
without a doubt, to appear, we
will mention the following: Berta
Bolufer who played the role of
Alicia and despite her youth
showed magnificent skills for
interpretation (during the hour
and a half of duration showed
a prodigious memory without
decaying in his performance);
Eva Genovés as the Sombrerera,
also magnificent; Arnau Dkaidek
who embroidered the role of the
nervous White Rabbit; Carlos
Alberto Doyle, invaluable in
his interpretation of the White
King as professor of the class;
Marta de Scals who, like Marta
la Cantaora, played two songs,
showing an insurmountable
voice; Desiré García, spectacular
and disturbing, like the Red
Queen; and, finally, to quote the
charming interpretation of Heleia
Utrera as Alicia Niña. And, of
course, we do not have to forget
the thirty or so members of the