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While not every model at Sies Marjan
wore painterly eye makeup, most of
them did sport slightly shimmery teal
shadow paired with sky-blue eyeliner,
the handiwork of makeup artist Thomas
de Kluyver. To get the look, he com-
bined MAC’s Chromagraphic Pencil in
Hi-Def Cyan with the brand’s Art Library
Palette in It’s Designer, which will launch
in the fall. He used his finger to smudge
and smear on the product, inspired by
the notion of a “teenage girl playing
around with makeup in her bathroom,”
and channeling a sense of nostalgia.
Cassandra Garcia, who keyed the make-
up at Tibi’s Fall 2019 show, also went for
a slightly messy, undone effect, drawing
inspiration from “the perfectly imperfect
look of slept-in makeup.” She described
the look — which featured Bobbi Brown
Luxe Eye Shadow in Poison Ivy, or
“watercolor green,” as she put it — as
“something cool and different.”
The look at Maryam Nassir Zadeh also
centered on a singular eye-catching
shade: a hazy periwinkle blue, courtesy
of Nars Duo Eye Shadow in Rated R.
Though the powder formula appears to
be a vibrant, intense cobalt in the pan,
makeup artist Farah Homidi diffused
it, giving the impression of an ethere-
al halo of color that extended past the
eye crease, becoming more sheer as it
reached the brow bone. To prevent the
look from being too abstract (and to
keep models’ eyes from getting lost un-
der all that blue shadow), Homidi drew a
super-skinny, precise black line of Clé de
Peau Intensifying Cream Eyeliner on the
top lids only, starting at the inner tear
ducts and extending out into a slight
cat-eye flick. “No need for mascara. The
eyeliner is the mascara,” she said of the
look.
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