Island Life Magazine Ltd October/November 2007 | Page 35

FEATURE One of the oldest stone buildings on the Island is Carisbrooke Castle and the first reference to it is in AD 1136 when the anonymous chronicler of Gesta Stepheni writes that it was “very finely built of stone and very strongly fortified”. The original wooden palisade fortress had been built in a hurry because the Normans expected to be attacked at any time and the new castle was built mainly of Greensand, a type of sandstone, which was quarried and brought from a scarp at Gatt Cliff, the old name for Gatcombe. The same quarry was used until 1921. When Isabella de Fortibus came to the castle in 1262, she began rebuilding and extending the residential buildings. Henry Long, reeve of the castle, kept an account of the masons she employed and after her death, stonemasons are mentioned again in a record of payments made to them during the years 1318-19 for the new brattices they fitted to the ‘great tower.’ Later “Chardges of the masons woorke of the southeast and southwest knights” appears in the accounts for 1601-02 (the knights were the small artillery bastions added later to the existing fortifications). life Photo: Stonemason Dave Crouch putting the final touches to the new gate pillars at Carisbrooke Cementery. The original Carisbrooke Castle was a wooden fortress which had been built in a hurry because the Normans expected to be attacked at any time Inside the castle gatehouse there’s a stonemason’s mark on an ashlar block in the wall. Stonemasons often carved a personal symbol on each block of stone to mark the difference between their work and that of other stonemasons and it also helped the master mason to estimate the amount of work done by each man. When Sandown Fort was being built in 1652, in spite of masons being paid 1s.4d per day compared with a labourer’s pay of 9d., the two deputy lieutenants responsible for controlling the finances, Sir John Oglander and Sir Edward Dennis, found it difficult to recruit workers. Their records show a note of payment “to Smugg for goinge with a warrant to Shorwell to presse Masons for the kings worke.” Smugg’s errand must have been successful because the following week two masons, Thomas Davis, senior and junior, arrived to work on the site. Apparently the two men had discovered a large hoard of Elizabethan shillings hidden in a barn at Newchurch the previous summer so a stonemason’s wage must have seemed miserly by comparison. Sadly a lot of the buildings created by the architect, John Nash, on the Island, have either disappeared or been modified. The Guildhall in Newport, built on the site of the old Town Hall and Cheese Cross and completed in 1819, is an example of his Island Life - www.isleofwight.net work though a tower was added to the building in 1887. In a letter to a Mr. Sewell dated 24 February,1814, Nash warns against the extra costs for the building and urges Sewell to appoint a Clerk of the Works to oversee the work. Contract Number 3 for the Masons’ Work stipulated that “the plinth of the arcade all round to be of Bath stone, those under the piers the arches to be each in one stone; the moulded fascia under the columns to be of Bath stone, and the key stones of the arches under the columns.” The black Derbyshire marble chimneypiece and slab for the town hall cost £45 but for the town clerk’s office, only £5 was to be spent on the chimney-piece of Portland stone, unlike Sir Richard Worsley who spared no expense when he finished his house that had been started at Appuldurcombe in 1701. Designed by John James with James Wyatt providing its elegant Baroque style, the 18th century mansion was intended to house Sir Richard’s collection of Greek Marbles, paintings and gems. When Appuldurcombe House was completed with its Tuscan columns, swags, roundels, garlands and mouldings of Portland stone carved by two stonemasons from London, he could boast that it was the grandest and most striking house on the Isle of Wight. Talking of marble reminded Dave Hailstone of his visit to a quarry in the mountains near Pisa in Italy when he saw the seam of marble that Michelangelo, one of the most famous stonemasons, used for his sculpture, David. The craft of stonemasons has existed for thousands of years and we have them to thank for many of the inspiring monuments that exist today like the Easter Island statues, the Egyptian Pyramids and the Greek Parthenon. I think Dave Crouch put it in a nutshell when he said, “It’s good seeing your work last,” 35