Island Life Magazine Ltd April/May 2015 | Page 29

FEATURE I t’s been an iconic fixture on the Cowes waterfront skyline for over a century – a landmark for seafarers and a navigation point for yachties - and now it looks as if the 1912 Hammerhead Crane will be standing tall and proud for the foreseeable future. With the council now making urgent repairs on the Grade II* Listed structure, with support from English Heritage, enthusiasts are daring to hope for the day when the crane will be fully restored and operational. “It could certainly be of great interest to mechanical apprentices, and generally inspire young people to take up careers in engineering, craftsmanship or restoration” Jon Fisher, Chairman of the eightstrong Cowes Hammerhead Crane Trust, said: “It feels as if we are finally getting somewhere.” The Trust is keen to see the crane restored as a memorial to the historic J.S. White shipyard – but members want it to be a living, functioning memorial that will earn its own keep, rather than just a reminder of a golden age of engineering. The developer, Peter Harrison, has already incorporated the crane into the first phase of the Medina Yard waterfront development – but the Trust would like to see the council use it’s powers to make sure it is a fully operational feature, restored in the first phase of development, rather than just a symbolic piece of architecture. Re-installing a capability to lift heavy loads would be key, around 5 tons would allow for some commercial applications, whilst a 2-3 ton version could provide an educational use, demonstrating the mechanics to schoolchildren and visitors. “It is a riveted structure, of which there are not many left” said Mr Fisher, “so it could certainly be of great interest to mechanical apprentices, and generally inspire young people to take up careers in engineering, craftsmanship or restoration.” The crane, which will sit as the centrepiece of the proposed new waterfront development, rather like a village square, could have a wider new lease of life as part of a public space for markets, open air concerts, performance art, and eating and drinking. The Trust, which uses the Hammerhead Crane as its ‘brand’ says: “We see the crane, already a key landmark, in a heritage community setting. “That way, it can be a focus for community, a venue for events and activities, and generally part of the enjoyment of the historic waterfront.” www.visitilife.com 29