Island Life Magazine Ltd April/May 2009 | Page 23

PROPERTY life Fiddling the system Joanne Mabin was told she had to choose between dancing and music. Her choice was not to choose, as she tells Roz Whistance AS you enter the marquee for a wedding or a black tie event you’re struck by the girl playing the solo violin. Her authoritative playing cleverly creates a mood that is at once classy and intimate. “I don’t want to seem like a jack of all trades,” says Joanne Mabin, when asked about her work. Now this is frankly daft. The full proverb is “Jack of all trades, Master of none”; it describes someone who dabbles. And Joanne is master of everything she chooses to do. She’s a musician and a dancer. She is a performing violinist who teaches music to children, and she has two dance schools, Article by Roz Whistance one on the Island and one in London. “That’s about it,” she says. It seems quite enough. She has been in a girl band, played in Robbie Williams’s band, and done bits on television such as Hollyoaks and the Parkinson Show. Hardly the sign of a dabbler. “I think it was when I was told I couldn’t be both a musician and a dancer that I was determined to do both,” says JoJo, as she is known to her many friends. She is a quietly spoken young woman, chatty with a ready sense of humour, with wispy blonde hair and an easy going manner. Maybe it is this which makes her obvious determination to excel so surprising. She won a scholarship to the Chetham School of Music in Manchester, one of The Island's most loved magazine Europe’s highest ranked music schools. She was twelve, and was quite aware that she was offering a bit of a challenge when she turned up for her interview wearing her ballet t-shirt – she had just been dancing with the Lewis London Ballet. “One of the officials on the panel said: “You know you won’t be able to do both music and ballet. You have to choose.” Perhaps it was just as well Joanne’s mother had told her to agree with everything they said. She got her scholarship to study violin, but continued to dance. The dancing had started when she was four, but even at that age she’d got a bit of performing experience. Her parents were entertainers in the working men’s clubs in and around Doncaster, so performing came naturally to her. “When I was two, my sister Claire got up on stage and did a solo. I 23