ION INDIE MAGAZINE May 2015, Volume 12 | Page 9

ION: Let’s talk about your name to start things off…I KNOW there’s a story there and inquiring minds want to know it… SEBASTIAN: The name BASH comes from my name SeBAStian. It was my nickname as a kid--my parents always referred to me as BASH. When I was 14, I started writing songs for fun. I had self-taught myself how to play guitar since I was 11, and around this time I started to write songs. It was totally new to me and it came very easy. I couldn’t stop once I started, and I ended up recording a small demo on my laptop at home with a small recording program and a drum pad. I burned a CD and showed my parents. They were very impressed and took me to SONIC RANCH STUDIOS in Tornillo, TX, where I auditioned and showed them what I had. I recorded the rst BASH album “Predicted” on my own. I wrote and recorded all the instruments on that record, and I really wasn’t sure what I was going to do with it. I remember the exact moment where the producer, MARCO RAMIREZ, asked me: “What are we gonna call it?” and I paused for a second and told him “Bash.” And it has stuck ever since. ION: “Black Swan Theory” is your new CD…what is the signicance of the title? SEBASTIAN: We had struggled for a while trying to nd the perfect name for that record. It was a pretty big milestone in BASH in a number of ways. We recorded it with producer NOAH SHAIN, who’s worked with artists such as SONNY MOORE (SKRILLEX), DEAD SARA, AS TALL AS LIONS, ATREYU, and much more. We learned a lot from him during the process, and I’ll always be extremely proud of this record. It really dened our sound, and really set the bar for our progress as a band. So with this in mind, we had come up with the idea of a “Black Swan Event”, which is dened as a life-altering event, such as a massive tragedy