With minimal edits and heightened lighting
technique, Veresk extracts the organic beauty
of her subjects with a luminescent presentation.
“I don’t use Photoshop on my subjects’ body
or skin—they are perfect just as they are,”
Veresk attests, alluding to her tendency for
selecting models with naturally “ethereal and
elusive” qualities.
In her underwater series, The Siren, delicate
fabric and tendrils of hair ripple gently and
seductively around the subject. Suspended in
graceful movement, the subject invites innocent
admiration and placid contemplation. Unlike
the mythological siren, whose luring beauty
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