In my teens, recurring themes in my pho-
tography were historical transportation and
architecture, but they were shot with the clini-
cal precision of an archivist, with no concept of
applying a portraiture element to them.
I absorbed the sights and smells of that time
in my memory. It wasn’t until two years ago
that I started looking at the objects of my youth
with new eyes. Through the editing process,
I started to inject my feelings into my images
and evoking the emotions I was experiencing
at the moment of capture.
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